Cinema and Social Change in Germany and Austria

Cinema and Social Change in Germany and Austria
Author :
Publisher : Wilfrid Laurier Univ. Press
Total Pages : 314
Release :
ISBN-10 : 9781554581382
ISBN-13 : 1554581389
Rating : 4/5 (82 Downloads)

Book Synopsis Cinema and Social Change in Germany and Austria by : Gabriele Mueller

Download or read book Cinema and Social Change in Germany and Austria written by Gabriele Mueller and published by Wilfrid Laurier Univ. Press. This book was released on 2012-08-30 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The “cinema of consensus,” a term coined to describe the popular and commercially oriented filmmaking of the 1990s, has given way to a more heterogeneous and critical cinema culture. Making the greatest artistic impact since the 1970s, contemporary cinema is responding to questions of globalization and the effects of societal and economic change on the individual. This book explores this trend by investigating different thematic and aesthetic strategies and alternative methods of film production and distribution. Functioning both as a product and as an agent of globalizing processes, this new cinema mediates and influences important political and social debates. The contributors illuminate these processes through their analyses of cinema’s intervention in discourses on such concepts as “national cinema,” the effects of globalization on social mobility, and the emergence of a “global culture.” The essays illustrate the variety and inventiveness of contemporary Austrian and German filmmaking and highlight the complicated interdependencies between global developments and local specificities. They confirm a broader trend toward a more complex, critical, and formally diverse cinematic scene. This book offers insights into the strategies employed by German and Austrian filmmakers to position themselves between the commercial pressures of the film industry and the desire to mediate or even attempt to affect social change. It will be of interest to scholars in film studies, cultural studies, and European studies.


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